Last week I attended First Call for Sunset Playhouse‘s upcoming production of Twelve Angry Men.
A Reader’s Guide to the Above Statement:
- I attended: I had Friday night free, and when I walked into the theatre and sat down nobody kicked me out…
- First Call: The actors’ first on-set rehearsal. At Sunset the show’s volunteers are invited to watch this rehearsal to get an idea for the sort of help needed for the production.
- Sunset Playhouse: A vibrant community of theatre lovers working together successfully to create a fun story-telling experience.
- (A few past Sunset posts here on Locutus of Blog: Sunset Playhouse Q&A; Twerpshire Hathaway, a defense of community theatre; and “I got a river of life flowin’ outta me” wherein yours truly bloodied her own nose.)
The man behind the curtain is one Mr. Matt Daniels, the same dude behind Sunset’s heart-cockle-warming production of Tuesdays With Morrie, and its spooky dram-rom-com Prelude To A Kiss. An actor, director, and teacher he is busy all over the darn place here in Milwaukee. Click those links to check him out! I got to see his Assistant Director, Katherine Duffy, as the lead in Sunset’s Sweet Charity this past summer and I mean to tell you that girl is an absolute riot. Her delivery, her timing– loved it! It’s exciting to see such a talented pair teaming up to work on this powerful drama.
It was great seeing a few familiar faces in the production team when I arrived. Since what I saw was a rehearsal I didn’t get to experience anything in the way of lighting, sound, or costumes, though I am very much looking forward to seeing what their respective designers have got cooked up for this one. Alan Piotrowicz’s and Jan Pritzl’s award winning lighting and sound design (respectively) in previous Sunset productions assure me the twinkly and tinkly details I missed last week are ones I can very much look forward to when I finally see the whole thing put together. And I didn’t know Jennifer Allen even did costume design, so that was really a special treat to see her listed in that role!
Exploring Koren Black and John Hemingway’s set before the First Call run.
The stage management team on the other hand… Oh where to begin?! Antoinette Stikl and Debi Mumford are rascals, and can only be described as mad as a couple of March hares, and probably flammable. They’ll lure you in with a hug hello, a few jokes, and boundless patience. But don’t be fooled! It’s all just part of their plan. And when I know what that plan is I’ll be sure to pass it along. Unless it’s just a plan to give hugs, tell jokes, and be patient, in which case: *points upward a few lines* You’re welcome. Also, props mistress Erica Ziino and I may or may not have become engaged, and planned out a road trip honeymoon, after First Call. I just hope fellow props mistress, Beth Bland, isn’t jealous. (We promise not to hit the road ’til after the show closes, Beth!)
The real draw for me on this show, though, is the cast. What a group this is. I could try to tell you how sorry I am that I can’t be up there acting alongside this group of lovely fellas, but you couldn’t believe how much I would mean it. What a fun group, this is. What a cast!
Foreman- Dustin J. Martin: Dustin and I go way back, and I’ve always known him mostly as a director. He introduced me to theatre proper, encouraged my love of acting, and taught me again and again the value of professionalism in every aspect of the craft; so of course whenever I get to see Mr. Director trod the boards it’s especially fun for me. One of the things that was particularly cool about seeing Dustin in this show was seeing him apply his own direction to himself. It was a bit like spending years listening to your parents describe how they used to hold you and rock you when you were a baby, and then finally getting to see them cradling some other child in their arms. You always believed their stories, but watching them live those stories is a different experience altogether. It adds so many adverbs to the tale that you never knew were missing.
Juror 2- Scott Jaeger: I knew Scott from his backstage work for show after show at Sunset, but it wasn’t until their production of The Underpants a few years back that dude finally auditioned to work on the lit side of the stage. Happily for all of us he seemed to enjoy the experience, because he has hit the stage several times since then, and frankly he’s just as charming on stage as he is off stage. There’s this pleasant, affable realism to his performance as Juror 2. It provides such a welcome island of contrast to some of the other jurors’ sound and fury, and I think that is exactly what this role requires.
Juror 3- Dan Esposito: It had been years since I’d last seen or read this show, so I forgot how abrasive this character is. This man’s noisome vitriol is that of a sad old man faced with the prospect that his anger at others is unfounded, his opinion unwanted, and his pain unmourned. Like all bullies he demands control and attention, yet deserves neither. For most of Dan’s scenes I found myself cringing at such a realistic portrayal of a heartless, broken man descending into uselessness, but at the end I cringed only that there are really people out there who could treat others this way. This is truly the saddest role in the show, and Dan does a remarkable job inhabiting it. I’d never seen him perform before, but I can absolutely see why he was cast here. Mr. Daniels has a clear eye.
Juror 4- Michael Chobanoff: I first met Michael in December of 2006 when we performed in Sunset comedy Jake’s Women together. Of every actor I’ve ever worked with, Michael seems to jump most consistently from comedy to drama, comedy to drama, comedy to drama. If I had my druthers I’d stick to thoughtfully chuckle-inducing pieces time after time, but this guy just really owns his own comfort with walking both sides of the fence. There is a strong, grounded air to his performance in this show, balanced with the kind of approachable reason Juror 4 cannot do without.
Juror 5- Jared Kuehn: What else can I say? I like this guy. He’s sweet, he doesn’t upstage, he doesn’t steal laugh lines, he’s memorized on time, his choices are clear and believable, and here on this stage of larger than life personalities his low-on-the-totem-pole character holds his own in every one of his scenes. We’ve only worked together once so far (Sunset’s 6 Degrees of Separation last season), but I hope to do so again. I just really like this guy.
Juror 6- John Roberts: I first saw John in Sunset’s Social Security a couple of years ago and oh! Oh! I died! Every time he appeared on stage I sat up in my seat, not wanting to miss a single twitch or sigh. This role here was quite a departure from that one. John brought a thoughtful intelligence to his portrayal of Juror 6, layering him in a detached toughness as a guard against all the poverty and hard work he’s lived through so far. He’s no threat until he threatens – - and I like that, because that is life.
Juror 7- Matthew J. Patten: I’ve been saying it for years and I’ll say it again: This guy is my favorite character actor both to work with, and to watch on stage. He has a tremendous gift for making real people interesting, and interesting people real. He also has a preference for comedies so I was initially surprised he was trying out for this show, but now that I’ve seen what he had in mind for Juror 7 I can’t picture anyone else in that role. Dude knows what he’s doing, doesn’t mug, doesn’t upstage, doesn’t horn in on other people’s time to shine, and makes memorable moments out of lines and activity that could easily have been missed entirely. Plus he walks and chews gum at the same time repeatedly throughout the show, so, you know, hats off to that.
Juror 8- Randall T. Anderson: I trust any stage that has this guy on it. This role must ground the entire piece, must set it in motion, keep it rolling, and catch it on its final descent. You don’t have to like Juror 8- though that helps- but you do have to believe him, and Randall gives the audience the opportunity to do both. I’ve watched this actor shine in comedies, dramas, and musicals, and from the other side of a shared microphone with Radio WHT (much to my own delight). He is ever the gentleman, ever the professional, and ever The Guy you want on your team to keep things afloat with you when the waters get choppy, and to enjoy the ride with you when the waters are smooth.
Juror 9- Doug Smedbron: He’s a sweetheart, Doug is. And somewhere out of all that he pulled up real force, a real “growl” for Juror 9. When he speaks he is standing even when he is sitting down, with a portrayal that commands respect from the other jurors in the room. I found his speech after his first “not guilty” vote particularly compelling.
Juror 10- Gene Schuldt: Juror 10 is a despicable, racist, loud-mouthed jerk. Gene, on the other hand, is an amiable, open-hearted, loud-mouthed actor, fight choreographer, Chicagoan, and professional Santa Claus. Hearing 10′s ugly words in Gene’s voice, and seeing 10′s quaking rage on Gene’s face was unsettling to say the least. As an audience member I felt sick hearing 10′s racism boil down farther and farther into a general “fear of otherness,” and as a friend I had to keep fighting the impulse to interrupt Gene’s rant to tell him he should be ashamed of himself! Good thing I remembered it was all just an act before jumping up and ruining the show. ;)
Juror 11- Ralph Frattura: Ralph’s was the only name on the cast list I didn’t know. I’d never met the guy, never seen him perform, but I figured if he was up there with the rest of these lugs then he must be the right man for the job. And wouldn’t you know it: He was. His behavior was real, his choices made sense, and– God love him for this– his accent was neither hokey nor inconsistent. I don’t attend shows like this one to see cartoons, to see caricatures. I attend them to see what Ralph did in his portrayal of Juror 11: He created a man with a unique perspective which he supported fully and which I bought entirely. Thanks Ralph.
Juror 12- Spencer Mather: This guy… Let me tell ya’ something: This guy is all right. I am so glad he and his wife decided to get involved at Sunset a few years back, and that they both loved it enough to keep on coming back. There’s not much they haven’t been a part of there, from working in the office to acting in shows to serving on the board. Watching Spencer is great, working with Spencer is great, talking shop with Spencer is great. But I digress. *ahem* Watching Juror 12 is great, working with Juror 12 sounds great, and talking shop with Juror 12 is also probably pretty darn great. Spencer’s 12 is easy-going but distracted, and while he cares enough about the case to have opinions about it, the ad man in him seems intent on going with whichever vote sells to the biggest audience of his 11 peers. When he finally took a stand I cheered inside because this was a guy I couldn’t help but like, so I wanted to see him on the right side of justice.
The show previews this Thursday, October 25, at 7:30 pm. Show dates, times, and ticket* prices are all available by clicking here to view the production’s page on the Playhouse website. From there you can also get the goods on other upcoming Sunset fare, like next week’s 3 Cheers for the Red, White, and Blue Musical Mainstage show, or their mainstage Christmas production of A Christmas Story.
If you make it out to Twelve Angry Men at Sunset Playhouse I’d love to hear what you thought in the comments below. Until then, happy theatre-ing!
*A quick note before you buy your tickets: Due to the nature of the set- trying to fit twelve grown men around a long table, the bottom of which is four feet up in the air on a stage- visibility is poor in the first four rows or so of the center and side sections. So don’t you go reading this post and then buying tickets in those rows, now. Not after I took the trouble to warn ya’! ;)